Um artista às margens do Ipiranga
Oscar Pereira da Silva, o Museu Paulista e a reelaboração do passado nacional
Bibliographic Data
| ID | 5814072 |
|---|---|
| Authors | Carlos Lima Junior (0000-0002-6684-8579, corresponding author), Carlos Rogerio Lima Junior |
| Year | 2015 |
| Publication date | 2015-03-30 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.31.2015.tde-12052015-103046 |
| OpenAlex | W2259264935 |
| Language | PT |
| Citations received | 4 |
history painter in the Paulista Museum, between the years 1920 and 1922 , during Afonso d' Escragnolle Taunay ( 1876-1958 ) management. When the preparation of the Museum, targeting the Independence Centenary celebrations, in September 1922 , the artist was, among many others, entrusted by Taunay to perform paintings whose content remitted the scenes of the national past, and So Paulo, particularlly. We seek to understand the intricacies that allowed the recruitment of such artist for the new decor undertaken within the Museum, from its operations in So Paulo art world, -and the implications of his move from Rio de Janeiro, in the late nineteenth century, -and how those paintings, selected for this study, were included in a larger
Art · Humanities · History of Education Research in Brazil · History, Culture, and Society · Sociology and Education in Brazil
| Citations per year | 0.57 |
|---|---|
| Citation span | 2019 - 2022 (4) |
| Highly cited | No |