Musicking and Communitas
The Aesthetic Mode of Sociality in Rebetika Subculture
Bibliographic Data
| ID | 5814746 |
|---|---|
| Authors | Janet Sarbanes (0000-0003-3279-7264, corresponding author) |
| Year | 2005 |
| Volume | 29 |
| Issue | 1 |
| Pages | 17-35 |
| Publication date | 2005-12-06 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Popular Music & Society (JOURNAL) |
| Journal identifiers | ISSN: 0300-7766 • E-ISSN: 1740-1712 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/03007760500142738 |
| OpenAlex | W1994344052 |
| Language | EN |
| Citations received | 9 |
| References cited | 11 |
This essay draws upon concepts of musicking and communitas to argue that, within subculture, an anti-structural mode of sociality takes form in and through aesthetic practices. The argument is perhaps most relevant to "musicking" subcultures such as rebetika, for reasons explored here, but it also speaks to the larger question of how the relation between individual and collective is articulated in a subcultural context
Argument (complex analysis · Communitas · Mode (computer interface · Sociality · Subculture (biology · Caribbean history, culture, and politics · Diverse Musicological Studies · Music History and Culture
Music, empathy and cultural understanding
Rebetiko in diaspora
Use of Meta-narrative Review to Integrate Perspectives on Identity Formation in the Cameroonian and Swedish-Kurdish Diasporas
Come and see what we do
Turning the Song
Utopian Punk
Playing to the Crowd
Music-making in the social world of a Cretan town (Heraklion 1900-1960)
Art and urban space in Athens
| Citations per year | 0.56 |
|---|---|
| Citation span | 2010 - 2025 (16) |
| Highly cited | No |