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Martha Graham e a dança moderna na linha de frente do movimento progressista

Bibliographic Data

ID5816324
AuthorsJane Silveira De Oliveira (corresponding author)
Year2020
Publication date2020-04-24
Open AccessYes
TypeTHESIS
PublisherUniversidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER)
DOI10.11606/t.8.2020.tde-05082020-183153
OpenAlexW3047443024
LanguagePT
References cited11

American Document was one of the first major achievements in the career of the American choreographer Martha Graham.Produced in 1938, the dance was structured in episodes and employed procedures borrowed from minstrel shows and epic theater to present an overview of the main events in the history of the United States.From the analysis of a set of archival documents regarding this and other related dances, we seek to reveal the conditions of possibility for the emergence of the main techniques, forms and procedures of composition of American modern dance and its involvement with the Popular Front movement.Our research suggests an alliance between modern dance and the New York working class during the second half of the 1930s.We believe that the key role that this art of the movement performed in leftist culture during that period is directly linked to the desire to represent contemporary social groups and issues on stage and to the didactic experiences of organizing and rehearsing the collective political movement through dance

Aesthetics · Alliance · Art · Art history · Choreography · Concert dance · Contemporary dance · Dance · EPIC · Geography · Humanities · Literature · Modern dance · Performance art · Political science · Politics · Rehearsing · Visual arts · Diversity and Impact of Dance · History · Law · Musicology and Musical Analysis · Theatre and Performance Studies

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    Frank H Hankins, Erskine Caldwell et al.•American Sociological Review•1940

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    Wendy Kozol, Ellen Graff•Labour / Le Travail•1998

Highly citedNo

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Open DOIOpen Access
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