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Reggae on the Silk Road

The Globalization of Uyghur Pop

Dados Bibliográficos

ID5819360
AutoresRachel Harris (0000-0001-5584-5420)
Ano2005
Volume183
Páginas627-643
Data de publicação2005-09-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoThe China Quarterly (JOURNAL)
Identificadores do periódicoISSN: 0009-4439 • E-ISSN: 1468-2648
EditoraCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0305741005000391
OpenAlexW1980762691
IdiomaEN
Citações recebidas7

in this article i take examples of popular music recordings released in the xinjiang uyghur autonomous region during the 1990s and first few years of the 21st century, in order to illustrate the global flows of sounds and meanings which influence uyghur pop. the disseminatory power of "micro media" (cheap cassettes, vcds) facilitates the global movement of both musical sounds and political ideas. i argue, using examples of uyghur reggae and uyghur belly dancing, that these sounds and meanings are radically adapted and re-signified in the construction of uyghur identity and cultural politics, in a complex interplay between the global, national and local, and between tradition and modernity. i discuss the gendered expression of uyghur nationalism in popular song through the iconic figure of the weeping mother, demonstrating the ability of expressive culture (here music) to reveal underlying or underpinning political trends

Aesthetics · Art · Globalization · Identity (music · Literature · Media studies · Modernity · Musical · Nationalism · Political science · Politics · Popular music · Power (physics · Sociology · China's Ethnic Minorities and Relations · Hong Kong and Taiwan Politics · Vietnamese History and Culture Studies · Gender Studies · History · Law

  • Transnational Religious Connections

    Robert Wuthnow, Offutt et al.•Sociology of Religion•2008

  • Chinese Television and National Identity Construction

    Lauren Gorfinkel, Lauren Gorf inkel•Chinese Television and National…•2017

  • Singing Muqam in Uyghur Pop

    Chuen-Fung Wong•Popular Music & Society•2013

  • Green-Colored Uyghur Poet

    Open Access•Michal Zelcer-Lavid, Michal Zelcer–lavid•Modern China•2022

  • We come from the underground

    Open Access•Nathanel Amar•Popular Music•2022

  • Tracks

    Rachel Harris•Ethnomusicology•2012

  • Getting heard in Tibet

    Anna Morcom•Consumption Markets & Culture•2008

Obras citantes distintas7
Citações por ano0,39
Intervalo de citações2008 - 2022 (15)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 7
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