Correspondências - arte, técnica e processo histórico
Bibliographic Data
| ID | 5825090 |
|---|---|
| Authors | Marcos Tadeu Fabris Gonçalves (corresponding author) |
| Year | 2011 |
| Publication date | 2011-06-14 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/t.8.2011.tde-15122011-152141 |
| OpenAlex | W1685640773 |
| Language | PT |
| References cited | 6 |
The aim of this thesis is to identify some of the moments within the modern artistic tradition that intended to map the ascension, consolidation, and devastation of the process of modernisation from the point of view of its victims in the realm of a market in which culture and the arts were rapidly becoming commodities.Taking into account both the demands for Modern Art codified in the oeuvre of Charles Baudelaire and the technical advances in the works of Gustave Courbet, Jean-François Millet, Edgar Degas, and Édouard Manet, we will examine the social and artistic considerations that allowed the increase in number of working artists.The photographic oeuvre of Eugène Atget and Weegee will follow as examples of productions that, by electing Labour as its main theme, broaden even more the artistic horizons, making them critical instruments of their historical hour
Aesthetics · Art · Art history · Consolidation · Humanities · Modernization theory · Political science · Realm · The arts · Theme (computing · Visual arts · Cultural, Media, and Literary Studies · History · Law · Literature, Culture, and Criticism · Urban and sociocultural dynamics
| Highly cited | No |
|---|