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Bring the Noise

Hypermasculinity in Heavy Metal and Rap

Bibliographic Data

ID5825591
AuthorsJ Grant (0000-0001-9485-8507, corresponding author)
Year1996
Volume27
Issue2
Pages5-31
Publication date1996-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Social Philosophy (JOURNAL)
Journal identifiersISSN: 0047-2786 • E-ISSN: 1467-9833
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.1467-9833.1996.tb00235.x
OpenAlexW2067420803
LanguageEN
Citations received13

The Subliminal K i d moved in and took over bars cafes and jukeboxes of the world cities and installed radio transmitters and microphones in each bar so that the music and talk of any bar could be heard in all his bars and he had tape recorders in each bar that played and recorded at arbitrary intervals and his agents moved back and forth with portable tape recorders and brought back street sound and talk and music and poured it into his recorder array so he set waves and eddies and tornadoes of sound down all your streets and by the river of all language-Word dust drifted streets of broken music car horn and air hammers-The Word broken pounded twisted exploded in smoke-.Nothing is true-Everything is permitted-1 -William Burroughs, Nova Express

Bar (unit · Hammer · Nothing · Artistic and Creative Research · Musicology and Musical Analysis · Poetry Analysis and Criticism

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Unique citing works13
Citations per year0,45
Citation span1997 - 2021 (25)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 13

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