Caught between extremes
The culture and economics of traditional mask art in contemporary Sri Lanka
Dados Bibliográficos
| ID | 5827226 |
|---|---|
| Autores | Wasana Sampath Handapangoda (University of Sri Jayewardenepura, autor correspondente), J I Madukala (University of Sri Jayewardenepura), M P K Withanawasam (0000-0002-3829-3748, University of Sri Jayewardenepura), A A D T Saparamadu (University of Sri Jayewardenepura) |
| Ano | 2016 |
| Volume | 33 |
| Fascículo | 2 |
| Páginas | 181-207 |
| Data de publicação | 2016-02-26 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Journal of Cultural Geography (JOURNAL) |
| Identificadores do periódico | ISSN: 0887-3631 • E-ISSN: 1940-6320 |
| Editora | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/08873631.2015.1133174 |
| OpenAlex | W2343461347 |
| Idioma | EN |
| Citações recebidas | 1 |
| Referências citadas | 31 |
In contemporary Sri Lanka, the commodification of local mask production resulting from cultural tourism has caught the traditional mask artisan in a tight spot between "tradition" and "modernity". The impacts of tourism are diversely received and interpreted within the local mask artisan community, with tourism simultaneously resulting in what can be called a "cultural discovery" and "cultural decline". Within this cultural debate, this paper is an attempt to understand how the traditional mask artisan arrives at a balance between "tradition" and "modernity", and culture and commerce. Qualitative research conducted in southern Sri Lanka shows that tradition and modernity are shifting conceptions. Negotiating a balance between tradition and modernity is, therefore, largely a matter of meaning and interpretation. When cultural commodification occurs, tradition and modernity are continuously redefined and reinvented by both the traditional mask artisan and cultural consumer to fit their own needs and agendas. Cultural commodification contributes to the survival and revival of Sri Lanka's mask tradition, a strategy that is simultaneously welcomed and contested within the local mask artisan community
Commodification · Asian Culture and Media Studies · Cinema and Media Studies · South Asian Cinema and Culture
Tradition, change, and modernity
On Longing
Introduction
Culture matters
Place and placelessness
British Interventions in the Traditional Crafts of Ceylon (Sri Lanka), c . 1850–1930
Participation and Democratic Theory
Art Workers
The Ambiguities of Authenticity in Little Sweden, U.S.A
Women, work and the imagination of craft in South Asia
Accounting for cultural meanings
Conflicts Over Credit
Art and Society
Medieval Sinhalese Art
Authenticity on the Ground
Tourism and tradition from healing to heritage
Developing creativity in tourist experiences
Precarious production
Dynamics of Exorcism
The Great Tradition and the Little in the Perspective of Sinhalese Buddhism
Rituals of First Menstruation in Sri Lanka
Gender and Hmong Women's Handicrafts in Fenghuang's 'Tourism Great Leap Forward,' China
Abraham Lincoln as Authentic Reproduction
The Case of the Misplaced Ponchos
Tradition and Modernity
| Obras citantes distintas | 1 |
|---|---|
| Citações por ano | 1 |
| Intervalo de citações | 2025 - 2025 (1) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 1 |