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Before the Performance

Contributions of Speculative Pragmatism to the Sociology of Art

Bibliographic Data

ID5829496
AuthorsDaniela Félix Martins (0000-0003-3514-8497, Universidade de Brasília, corresponding author)
Year2023
Volume13
Issue3
Publication date2023-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRevista Brasileira de Estudos da Presença (JOURNAL)
Journal identifiersISSN: 2237-2660 • E-ISSN: 2237-2660
PublisherFapUNIFESP (SciELO) (PUBLISHER)
DOI10.1590/2237-2660129256vs02
OpenAlexW4383047095
SCIELO_PIDS2237-26602023000300303
LanguageEN
References cited8

The aim of this paper is to analyze the main aspects that constitute the performance experience, as well as to examine the contributions of speculative-pragmatism to the renewal of the field of sociology of art. The text is structured in three parts: 1) a contextualization of the work within the scope of the research project Protocols for the Musealization of Performative Actions in Public Art Museums and its problematic from the sociological point of view; 2) a definition of the concept of experience; 3) verification of the analytical yield of this concept for research in performance arts. As a main conclusion, the text sought to systematize the ways in which pragmatic-speculative sociology may provide access to the complex networks of actors and social practices involved in contemporary artistic production

Contextualization · Performative utterance · Pragmatism · Scope (computer science · Arts and Performance Studies · Cultural Industries and Urban Development · Urban and sociocultural dynamics

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Citation velocityhistorical
Highly citedNo

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