Digital Museums and Diverse Cultural Knowledges
Moving Past the Traditional Catalog
Bibliographic Data
| ID | 5830438 |
|---|---|
| Authors | Ramesh Srinivasan (0000-0001-5987-3189, University of California, Los Angeles), Robin Boast (University of Cambridge), James Furner (0000-0001-8839-9930, University of California, Los Angeles), Jonathan Furner, Katherine M Becvar, Katherine Becvar (University of California, Los Angeles) |
| Year | 2009 |
| Volume | 25 |
| Issue | 4 |
| Pages | 265-278 |
| Publication date | 2009-07-09 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Information Society (JOURNAL) |
| Journal identifiers | ISSN: 0197-2243 • E-ISSN: 1087-6537 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/01972240903028714 |
| OpenAlex | W1975615174 |
| Language | EN |
| Citations received | 42 |
| References cited | 46 |
Web 2.0 technologies have introduced increasingly participatory practices to creating content, and museums are becoming interested in the potentials of "Museum 2.0" for reaching and engaging with new audiences. As technological advances are opening up the ways in which museums share information about the objects in their collections, the means by which museums create, handle, process, and transmit knowledge has become more transparent. For this to be done effectively, however, some underlying contradictions must be resolved between museum practices, which privilege the account of the "expert," and distributed social technology practices, whose strengths lie in allowing for many, sometimes contradictory, perspectives. This article presents a theoretical position and framework for the adaptation of Web 2.0 technologies within the traditional work of the museum, in ways that support the generation and representation of knowledge in, by, and for diverse communities. We then expand on this theoretical perspective by discussing several case studies of exploratory work in this area, and close the article by presenting a few tactical, bottom-up initiatives that museums and distributed communities can take to facilitate the diffusion of this new conceptual framework. Though the subject of this article is online museums, the issues are relevant to all online collections, in particular portals, online public access catalogs (OPAC), and content management systems
Museums and Cultural Heritage · Video Analysis and Summarization
Towards multiple ontologies
Indigenous Media
Democratising the Museum
From Crowd to Collection
A systematic review of digital transformation technologies in museum exhibition
Museum participation as labor
The Concept of “Museum Decolonization”
Decentering the discipline? Archaeology, museums and social media
More is better! Current issues and challenges for museum audience development
Virtual (music) exhibits as critical spaces of community engagement
Digital Intangible Heritage
An Actor-Network Perspective on Collections Documentation and Data Practices at Museums
Giving Diligence Its Due
Innovative Plant-Dyed Silk Textiles
Re-thinking the cultural codes of new media
Archival representations of immigration and ethnicity in North American history
Creating value of the past through negotiations in the present
Facebook as a dialogic communication tool at the most visited museums of the world
Museums in the age of platform giants
Mixed Up by Time and Chance? Using Digital Methods to “Re-Orient” the Syriac Religious Literature of Late Antiquity
Re-Membering Music Worlds
Digitizing Heritage
Children’s Access to the Archives
Caribbean Collections in European Museums and the Question of Returns
Working in the digital contact zone. The digital sharing portal for Roald Amundsen’s Gjoa Haven collection
Nuts and bolts of digital heritage. Bringing the past into the virtual present
The Untapped Potential of Low-Cost Photogrammetry in Community-Based Archaeology
Behind the words
Critical and reflective uses of new media technologies in tribal museums
Museum Object Lessons for the Digital Age
Following community guidelines in publishing Native American archaeological collections online
We want to know more than that
The temporary exhibition as a tool for communication and relationship between science and society
A digital museum's contribution to diversity - a user study
Virtual repatriation as a methodological reframing for museum learning in the digital age
Diverse Knowledges and Contact Zones within the Digital Museum
Where do we go from here? Innovative technologies and heritage engagement with the MakerBus
Three-dimensional, community-based heritage management of indigenous museum collections
Sharing deep history as digital knowledge
Digital Subjects, Cultural Objects
Collecting for a College Museum
Antisocial media in archaeology
Theorizing Museums
Science in action
Routes
A Companion to Film Theory
Imperial Eyes
Recoding the Museum
Exhibiting cultures
Studies in ethnomethodology
Shooting Back
Museums And Source Communities
The Power to Name
Sorting Things Out
The Social Life of Information
Discourse in the Blogosphere
Local Knowledge and `Absolute Standards
Return to Babel
Our Own Devices
Participatory video in geographic research
Human-Machine Reconfigurations
On the Principles of Classification Adopted in the Arrangement of His Anthropological Collection, Now Exhibited in the Bethnal Green Museum
Media Worlds
Anthropology and Mass Communication
Critical and reflective uses of new media technologies in tribal museums
Articulating An Activist Imaginary
Indigenous, ethnic and cultural articulations of new media
Theorizing Museums - Representing Identity and Diversity in a Changing World
Gone Digital
Following the Nyinkka
Ara Irititja
A Small Company of Actors
Looking Several Ways
| Unique citing works | 42 |
|---|---|
| Citations per year | 0,75 |
| Citation span | 1970 - 2026 (57) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 41 |