The internationalization of musical life at the end of the nineteenth century in modernized Paris and Rome
Bibliographic Data
| ID | 5832176 |
|---|---|
| Authors | Gesa Zur Nieden (0000-0001-5202-1258, Johannes Gutenberg University Mainz, corresponding author) |
| Year | 2013 |
| Volume | 40 |
| Issue | 4 |
| Pages | 663-680 |
| Publication date | 2013-04-10 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Urban History (JOURNAL) |
| Journal identifiers | ISSN: 0963-9268 • E-ISSN: 1469-8706 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0963926813000357 |
| OpenAlex | W2258996762 |
| Language | EN |
| Citations received | 1 |
| References cited | 4 |
This article examines the relationship between the processes of urban renovation in European capitals and the internationalization of musical theatre productions, using the example of theatres constructed in Paris and Rome at the end of the nineteenth century. Due to the limited availability of governmental and municipal funding, the more popular theatres in both capitals came to provide an important space for musical productions on an avant-garde level, with international repertoires and casts
Communism, Protests, Social Movements · Globalization, Historical Perspectives, and International Relations · Political and Social Issues
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.11 |
| Citation span | 2017 - 2017 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |