Os potenciais narrativos do bordado no traje de cena
Bibliographic Data
| ID | 5832624 |
|---|---|
| Authors | Maria Celina Gil Reis Boeira (corresponding author) |
| Year | 2018 |
| Publication date | 2018-12-27 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.27.2018.tde-27122018-105257 |
| OpenAlex | W2928461071 |
| Language | PT |
| Citations received | 1 |
| References cited | 2 |
This research seeks to investigate the presence of embroidery in the theatre costume, not only as a decorative element, but also as a narrative element.The manual process of production, the artisanship -especially the studies of Richard Sennett -and the textile poetics that embroidery can produce are important for this reflection.Starting from the relationship between weaving and narration presented by Walter Benjamin and Roland Barthes, the research traces a brief history of embroidery, understanding in what ways and for what purpose it was used in various types of clothing, especially in the costumes.Two case studies are the subject of analysis in this research: the costumes of the play O homem de la mancha (2014), by Miguel Falabella; and creative processes of the stage director Gabriel Villela.What binds both cases are the artist Arthur Bispo do Rosário.Bispo produced a great part of his works during his time in the psychiatric hospital.Embroidery was one of the main techniques used by him, whose work was marked by the high degree of detail and the resignification of everyday objects.In O homem de la mancha, the costumes were inspired in textile works of Bispo.On the other hand, Villela admits Bispo is one of his greatest inspirations and their creative processes are very similar.In addition to a theoretical reflection on what has been produced contemporaneously on theatre involving craftsmanship and embroidery, a practical exercise was proposed throughout the research using the technique as a platform.This experiment, carried out with the students of the course of Textile and Fashion in the year 2017, was collectively created during workshops, whose processes are reported here.The starting point for the discussions and processes that resulted in this experiment was the play The body of a woman as a battlefield in the Bosnian war by Matéi Visniec.The play deals with two women, hospitalized in a sanatorium, dividing their experiences and resignifying their memories.This play was chosen for dealing with issues pertaining to the technique of embroidery: gender, collective creation and memory
Archaeology · Art · Art history · Clothing · Humanities · Literature · Narrative · Poetics · Poetry · Sociology · Subject matter · Textile · Visual arts · Weaving · Arts and Performance Studies · Computer Science · Crafts, Textile, and Design · Engineering · History · Urban and sociocultural dynamics
| Citations per year | 1 |
|---|---|
| Citation span | 2025 - 2025 (1) |
| Highly cited | No |