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Religion, music and the site of ritual

Baptismal rites and the Irish citizenship referendum

Bibliographic Data

ID5833747
AuthorsHelen Phelan (0000-0002-9122-0070, University of Limerick, corresponding author)
Year2009
Volume2
Issue1
Pages25-38
Publication date2009-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInternational Journal of Community Music (JOURNAL)
Journal identifiersISSN: 1752-6302 • E-ISSN: 1752-6299
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/ijcm.2.1.25_1
OpenAlexW2088379321
LanguageEN
References cited25

While ritual practice is not exclusive to religion, religious systems have always relied on rituals to act as their expressive voice. Ritual, by its very nature, is a performed event. Through music, movement, poetry, silence, art and proclaimed word, religions embody and express the beliefs, tensions and aspirations of the communities who perform them. Drawing on the works of Wilfred Cantwell Smith, Paul Tillich, John Caputo and Talal Asad, this paper probes understandings of religion, which push beyond fundamentalist and denominational definitions, to propose a view of religion as embodied not-knowing, rather than conceptual certainty. It is from this perspective that we can revisit the potential of ritual practice specifically musical practice as a space of community creation, challenge and reconciliation. This proposal is grounded with reference to my own experience of working with asylum seekers in a number of churches in Limerick city, with particular reference to the role of music in the rite of baptism for children, seen against the backdrop of the Irish citizenship referendum of 2004

Aesthetics · Baptism · Citizenship · Epistemology · Irish · Linguistics · Political science · Rite · Sociology · Theology · Anthropological Studies and Insights · Gender Studies · Irish and British Studies · Law · Philosophy · Religious Tourism and Spaces

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Citation velocityhistorical
Highly citedNo

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