Canini e o anti-herói brasileiro
Do Zé Candango ao Zé - realmente - carioca
Bibliographic Data
| ID | 5833792 |
|---|---|
| Authors | Eloar Guazzelli Filho (Microsoft (Brazil), corresponding author) |
| Year | 2009 |
| Publication date | 2009-04-24 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.27.2009.tde-16092009-205951 |
| OpenAlex | W1676063179 |
| Language | PT |
| Citations received | 2 |
This research deals with the study of the artist Renato Canini, who managed to build a very peculiar way to develop a narrative of comics with a very personal style, although included in the structures of mass production.This period includes the articulation of CETPA (Cooperative Publishing Works of Porto Alegre), which intended to publish Brazilian comics to face the huge presence of imported material.That was when Canini drew his strips of Zé Candango its first steps of a language of Brazilian comics.And because of part of these strips were published in Jornal do Brasil, this work can be seen within the perspective of building a massive system of production and distribution.This work goes beyond by researching
Art · Articulation (sociology · Comic strip · Comics · Humanities · Literature · Narrative · Political science · Publishing · Social science · Sociology · Cultural, Media, and Literary Studies · Education and Digital Technologies · History · Law · Linguistics and Education Research
| Citations per year | 0.13 |
|---|---|
| Citation span | 2011 - 2022 (12) |
| Highly cited | No |