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The Iconography of Desolation

Patagonia and the Ruins of Nature

Bibliographic Data

ID5834014
AuthorsGabriela Nouzeilles (Princeton University, corresponding author)
Year2007
Volume40
Issue2
Pages252-262
Publication date2007-10-23
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueReview Literature and Arts of the Americas (JOURNAL)
Journal identifiersISSN: 0890-5762 • E-ISSN: 1743-0666
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/08905760701627760
OpenAlexW2057356679
LanguageEN
Citations received3

Click to increase image sizeClick to decrease image size Notes 1 Domingo Faustino Sarmiento. Facundo. Civilización y barbarie (Madrid: Cátedra, 1997: 56). All translations from Spanish to English are mine. 2 As a geographical and natural region, Patagonia is divided into two very distinct areas. From the Colorado River south to the upper half of Tierra del Fuego, between the Andes and the Atlantic ocean, rests the Patagonian eastern plateau, which is cold, dry, and extremely windy. This plateau represents 25% of Argentina's national territory. Along Argentina's west border and occupying the southern half of Chile run the Patagonian mountains, which are covered by a temperate rainforest and have spectacular lakes and massive glaciers. Both areas have generated their own series of representations. In this essay I will limit myself to the images associated with the Patagonian plains. 3Simon Schama. Landscape and Memory (New York: Alfred A. Knopf, 1995: 7) 4Yi-Fu Tuan. "Space and Place: A Humanistic Perspective," in Philosophy in Geography, Stephen Gale and Gunnar Olsson, eds. (Dordrecht (Holland)/Boston (US)/London (UK): Reidel Publishing Company, 1979, 387-427: 387) 5W. T. Mitchell. "Imperial Landscape," Landscape and Power, W. T. Mitchell, ed. (Chicago: The University of Chicago Press, 1994, 5-34: 14) 6Yi-Fu Tuan. Landscapes of Fear. (New York: Pantheon Books, 1979: 6) 7Jorge Luis Borges. "Museo," El Hacedor (Buenos Aires: Emecé, 1960) 8 Gilles Deleuze and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia (Minneapolis/London: University of Minnesota Press, 1987: 376) 9Charles Darwin. The Voyage of the Beagle (New York: P.F. Collier & Son, 1909-14: 183) 10 Ibid., 185. 11 Yi-Fu Tuan. "Desert and Ice: Ambivalent Aesthetics," in Landscape, Natural Beauty and the Arts, Salim Kemal and Ivan Gaskell, eds. (Cambridge: Cambridge University Press, 1993, 91-92. 12 Yi-Fu Tuan. "Desert and Ice: Ambivalent Aesthetics," in Landscape, Natural Beauty and the Arts, Salim Kemal and Ivan Gaskell, eds. (Cambridge: Cambridge University Press, 1993, 225. 13 Yi-Fu Tuan. "Desert and Ice: Ambivalent Aesthetics," in Landscape, Natural Beauty and the Arts, Salim Kemal and Ivan Gaskell, eds. (Cambridge: Cambridge University Press, 1993, 365. 14Yi-Fu Tuan. "Desert and Ice: Ambivalent Aesthetics," in Landscape, Natural Beauty and the Arts, Salim Kemal and Ivan Gaskell, eds. (Cambridge: Cambridge University Press, 1993, 139-157: 141-142) 15Francisco P. Moreno. Viaje a la Patagonia Austral (Buenos Aires: El Elefante Blanco, 1997: 163) 16Ramón Lista. Viaje a los Andes Australes (Buenos Aires: Editorial Confluencia, 1999: 225-26) 17Moreno, opus cit. , 275. 18Clemente Onelli. Trepando los Andes (Buenos Aires: El Elefante Blanco, 1998: 84) 19Ezequiel Martínez Estrada. Radiografía de la pampa (Buenos Aires: Losada, 1991: 127-8) 20On the properties of dust as liminal matter, see Elio Grazioli. La polvere nell' arte (Milano: Mondadori, 2004). I am grateful to Raúl Antelo for suggesting Grazioli's book

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Unique citing works3
Citations per year0,21
Citation span2012 - 2019 (8)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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