The festive character of cyber art
Bibliographic Data
| ID | 5834500 |
|---|---|
| Authors | Leila Amaral (0000-0001-9849-0922, University of Juiz de Fora, corresponding author) |
| Year | 2011 |
| Volume | 8 |
| Issue | 3 |
| Pages | 255-265 |
| Publication date | 2011-05-19 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Technoetic Arts (JOURNAL) |
| Journal identifiers | ISSN: 1477-965X • E-ISSN: 1758-9533 |
| Publisher | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/tear.8.3.255_1 |
| OpenAlex | W2323124780 |
| Language | EN |
| Citations received | 1 |
Beginning with one of the most remarkable characteristics of cyber art, 'interactivity', in a context of generalized hybridization of the procedures and technological devices available in the current hyper-technological era, this article will highlight the festive dimension within contemporary artistic practices, especially in its technological and digital components. In order to take both its 'creationist' and 'reflexionist' aspects into consideration, the proposed interpretation will adopt as its starting point the questions introduced by classical anthropology about festivity: What establishes community in cyber art? Which kind of community is established there and what is sacrificed in digital or cybernetic art? These questions are articulated with the discussion proposed by Hans-Georg Gadamer and Richard Schechner about the task of building the reflexive play that is found in the work of art as such. The purpose is to gradually present, throughout the article, the peculiarity of the experience of 'the festive' in computing and numerical arts
Applied arts · Digital art · Interactivity · Reflexivity · Digital Media and Philosophy · Scientific Research and Philosophical Inquiry
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.1 |
| Citation span | 2016 - 2016 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |