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A guitarra brasileira de Heraldo do Monte

Bibliographic Data

ID5836912
AuthorsEduardo De Lima Visconti (corresponding author)
Year2005
Publication date2005-10-01
Open AccessNo
TypeTHESIS
PublisherUniversidade Estadual de Campinas (PUBLISHER • BR)
DOI10.47749/t/unicamp.2005.422310
OpenAlexW4205388904
LanguagePT
Citations received4
References cited1

From the transcription and analysis of the compositions and musical improvisations of Heraldo do Monte and being based on the concepts so far stablished for compositions and improvisations, it is investigated how the musician articulates with musical elements of the Brazilian urban popular music (choro, samba and frevo), the regional musical manifestations and the jazz, creating a peculiar and inovating style of composing and improvising in the eletric guitar.Through readings of the Imaginário Nacional Popular and how it has manifested in the popular music in the sixties, it is verified in articles and interviews with Heraldo do Monte to what extent these ideas may have influenced the musician in certain aesthetical choices which guided the fusion of the mentioned musical influences for the construction, in his point of view, of a Brazilian eletric guitar

Guitar · Improvisation · Jazz · Musical analysis · Brazilian cultural history and politics · Cultural, Media, and Literary Studies · Literature, Culture, and Criticism

  • A guitarra elétrica no choro

    Open Access•Eduardo De Lima Visconti•Per Musi•2014

  • Terra dos passaros

    Thaís Lima Nicodemo•2009

  • Improvisando em música popular

    Almir Cortes Barreto•2012

  • Arte engajada e música popular instrumental nos anos 60

    Ismael De Oliveira Gerolamo•2014

  • Studying popular music

    Richard Middleton•Studying popular music•1990

Citations per year0.24
Citation span2009 - 2014 (6)
Highly citedNo

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Open DOIOpen Access
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