The Art Fair as Network
Bibliographic Data
| ID | 5837237 |
|---|---|
| Authors | Christian Morgner (0000-0003-2891-0113, University of Leicester, corresponding author) |
| Year | 2014 |
| Volume | 44 |
| Issue | 1 |
| Pages | 33-46 |
| Publication date | 2014-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Journal of Arts Management Law and Society (JOURNAL) |
| Journal identifiers | ISSN: 1063-2921 • E-ISSN: 1930-7799 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/10632921.2013.872588 |
| OpenAlex | W2068173398 |
| Language | EN |
| Citations received | 13 |
| References cited | 20 |
Although Howard Becker defines art worlds as networks of cooperating people and a broad range of studies has applied this idea of the network to art markets, research on fairs remains a neglected issue. This article aims to advance the idea of the network and the art fair with regard to the art fair boom, the differentiation of art fairs and their interlinking, and the role of networks with regard to the participating galleries and their interlinking within art fairs. Quantitative and qualitative data are brought forward to shed some light on these issues, including statistical information, along with interviews
Art market · Art History and Market Analysis · Cultural Industries and Urban Development · Wine Industry and Tourism
L’écosystème de l’export face aux dilemmes de la démocratisation
Disruption, Digitalization and Connectivity
Contemporary Art Fairs in Mainland China
The Legitimation of Young and Emerging Artists in Digital Platforms
Showcase Festivals and Music Export Organisations
Evolution of the territorial field of art in a post-socialist city. Distribution patterns of private contemporary art galleries in Krakow, Poland, between 1989 and 2019
Private art museums and their local creative communities
State of the Art Fair Post-Covid
How art market actors experience market emergence in an unequal field
Art markets, epistemic authority, and the institutional curation of knowledge
Cultivating Desire
Coercion from autonomization
La géographie du marché de l'art mondial en pleine évolution
Markets from Networks
Collective dynamics of ‘small-world’ networks
The Art Institution in a Globalizing World
Thinking About Exhibitions
The Art Market in the 1980s
Network Dynamics and Market Structure
Gatekeeper search and selection strategies
The art and craft fair
The Story of Exhibitions
Exhibiting Interaction
The Berlin Trade Exhibition
Recognition and Renown
Where Do Markets Come From
Disentangling the paradoxical alliances between art market and art world
| Unique citing works | 13 |
|---|---|
| Citations per year | 1,3 |
| Citation span | 2016 - 2026 (11) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 13 |