Gota d'água
Entre O Mito E O Anonimato
Bibliographic Data
| ID | 5837536 |
|---|---|
| Authors | Cecilia Silva Furquim Marinho (0000-0002-4818-908X, corresponding author) |
| Year | 2013 |
| Publication date | 2013-06-25 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.8.2013.tde-03102013-105036 |
| OpenAlex | W2124652485 |
| Language | CA |
| References cited | 2 |
This paper goes into the production process of the poetic lines which give life to Chico Buarque and Paulo Pontes ́s play Gota d 'água, published and performed in 1975.It aims to understand how they are put together to compose its drama structure as well as the effects they cause on the reader and audience.Since the play is deeply engaged in the cultural and political scenario of the 1970's, this analysis also seeks to examine the connections between its esthetics and the cultural projects or any other points of influence that may have motivated its form.The study involves the play's sounds listened to (or imagined) on stage such as the play ́s poetic, musical-lyric aspects, its epic-drama characteristics and many of the themes and ideas that constitute the work's content.The analysis frequently contrasts Gota d'água and the play it intends to recreate: Medea by Euripides.The various elements dealt with in Gota d'água are sometimes complementary, sometimes clashing, accounting for a meaningful mix and giving rise to controversial appraisal upon which researchers and artists have given a lot of thought when pondering about the Brazilian contemporary drama experience.Such contrasts bring together the resource to the popular and the scholarly, the use of cathartic identification and critical distance, the mythical and the anonymous ordinary human trajectory, among other examples
Aesthetics · Art · Drama · Identification · Literature · Musical · Poetry · Political science · Politics · Sociology · Arts and Performance Studies · Brazilian cultural history and politics · History · History, Culture, and Society · Law
| Highly cited | No |
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