Bazar Dos Esquecidos
Branquitude, Instituições E O Mundo Funk
Bibliographic Data
| ID | 5837637 |
|---|---|
| Authors | Lucas Forastiere Silveira Jupy (corresponding author) |
| Year | 2021 |
| Publication date | 2021-08-11 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | THESIS |
| Publisher | Faculdades Catolicas (PUBLISHER) |
| DOI | 10.17771/pucrio.acad.54891 |
| OpenAlex | W4241049810 |
| Language | EN |
| References cited | 3 |
This dissertation presents the theme of whiteness power structures and their mobilization to repress the brazilian funk art world.The objectives are: 1) to expose how racism, classism, patriarchy and cisheteronormativity inform the suppression of subordinate cultures; 2) develop an analytic category that helps to perceive the whiteness' dynamics of cultural extractivism; 3) map and interpret controlling images about the funk culture; 4) use the brazilian funk's example to comprehend normative power dynamics; 5) establish a more complex perception regarding the dimensions of violence, forgetfulness, resistance and persistence -considered beyond the control dimensions.Racializing the elite's subjects, is the attempted way to comprehend whiteness as a social place of privileges and power.A walk, guided by a seller-narrator that assumes some typical whiteness performances and may even be confused by the author, is proposed in order to develop the Forgetter's Bazar as an analytical category and a heterotopia.The first "movement" occurs so that the category's concept as well as its presentation as an analytical enterprise are formed.Following the dissertation's path, the Bazar's offers are presented through the mapping of controlling images created by local elites to stereotypically describe the funk art world.Lastly, we exit the Forgetter's Bazar in order to place it in the contemporary urban context.The hegemonical power dynamics are comprehended from the intersectional point of view.The funk art world appears as a masses popular culture that resists to these oppressions, although, unavoidably, gets influenced by them
Aesthetics · Art · Art history · Funk · Sociology · Theme (computing · Computer Science · Gender Studies · History · Literature, Culture, and Criticism
| Citation velocity | historical |
|---|---|
| Highly cited | No |