Listening for the Cosmic Other
Postcolonial Approaches to Music in the Space Age
Bibliographic Data
| ID | 5837774 |
|---|---|
| Authors | Paige Zalman (0000-0002-4669-2546, corresponding author) |
| Year | 2019 |
| Publication date | 2019-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | THESIS |
| Publisher | West Virginia University Libraries (PUBLISHER) |
| DOI | 10.33915/etd.3797 |
| OpenAlex | W3049471227 |
| Language | EN |
| References cited | 30 |
As government programs such as NASA and SETI seek signs of intelligent life in space and privately-funded programs such as SpaceX finalize plans to colonize Mars in the coming decades, representations of space and extraterrestrial life in American culture have become increasingly relevant. Focusing on Jóhann Jóhannsson's musical score for Denis Villeneuve's science-fiction film Arrival (2016), Terry Riley's Sun Rings (2002) for string quartet, chorus, and recorded space sounds, and former International Space Station Commander Chris Hadfield's "Songs about Space" Spotify playlist, my research problematizes the ways in which composers, musicians, and even astronauts depict alterity through music and reinforce colonial narratives about outer space. Drawing upon the work of postcolonial theorists and musicologists such as Charles Forsdick (2003), Olivia A. Bloechl (2008), Ania Loomba (2015), and others, this thesis argues that musical depictions of extraterrestrials and space exploration, more generally, reveal the potential for discrimination, misrepresentation, and abuses of power to emerge from space colonization. But, back on Earth, this study also suggests that such fraught theoretical relationships between human colonists and extraterrestrials echo the real-life suffering of colonized indigenous groups and the necessity of decolonization
Aesthetics · Art · Art history · Astrobiology · Extraterrestrial life · Indigenous · Media studies · Musical · Physics · Sociology · Visual arts · History · Philosophy · Science Education and Perceptions · Space exploration and regulation · Space Science and Extraterrestrial Life
Riley, Terry
Pandit Pran Nath
Hegel, Empire, and Anti-Colonial Thought
Colonialism/Postcolonialism
Experimental Oriental
Scoring the Indian
Wanting to be Indian
Capital
Re-drawing boundaries
American Minimal Music
Music, Place, and Identity in the Central Appalachian Mountaintop Removal Mining Debate
Making It Like A Man
Restless Men
Apocalyptic Otherness
Racial Transparency Theory Applied to Musicians who Claim to Be Aliens
The Use of Dialect in African-American Spirituals, Popular Songs, and Folk Songs
Weird Vibrations
Speaking from the Margins
Astro Black Morphologies
School Teasing and Bullying After the Presidential Election
The Oxford Handbook of Postcolonial Studies
The Semantics of Musical Topoi
Nature and Self in New Age Pilgrimage
Spirituality
Musical Performance in the Diaspora
Musical Voyages and Their Baggage
Reflecting surfaces
So Much to Be Done
The Complete Works of Captain John Smith (1580-1631)
Gravity's Reverb
| Citation velocity | historical |
|---|---|
| Highly cited | No |