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The Emancipation of Dissonance

Bibliographic Data

ID5838442
AuthorsChrista Spreizer, Thomas Harrison (0000-0003-1968-9859)
Year2000
Volume23
Issue1
Pages152-152
Publication date2000-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueGerman Studies Review (JOURNAL)
Journal identifiersISSN: 0149-7952 • E-ISSN: 2164-8646
PublisherGerman Studies Association (PUBLISHER • US)
DOI10.2307/1431458
OpenAlexW2795801092
LanguageEN
Citations received6

The year marks an astonishing, and largely unrecognized, juncture in Western history. In this perceptive interdisciplinary analysis, Thomas Harrison addresses the extraordinary intellectual achievement of the time. Focusing on the cultural climate of Middle Europe and paying particular attention to the life and work of Carlo Michelstaedter, he deftly portrays the reciprocal implications of different discourses - philosophy, literature, sociology, music, and painting. His beautifully balanced and deeply informed study provides a new, wider, and more ambitious definition of expressionism and shows the significance of this movement in shaping the artistic and intellectual mood of the age. 1910 probes the recurrent themes and obsessions in the work of intellectuals as diverse as Egon Schiele, Georg Trakl, Vasily Kandinsky, Georg Lukacs, Georg Simmel, Dino Campana, and Arnold Schoenberg. Together with Michelstaedter, who committed suicide in at the age of 23, these thinkers shared the essential concerns of expressionism: a sense of irresolvable conflict in human existence, the philosophical status of death, and a quest for the nature of human subjectivity. Expressionism, Harrison argues provocatively, was a last, desperate attempt by the intelligentsia to defend some of the most venerable assumptions of European culture. This ideological desperation, he claims, was more than a spiritual prelude to World War I: it was an unheeded, prophetic critique

Emancipation · Eastern European Communism and Reforms · German Literature and Culture Studies · Musicology and Musical Analysis

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    Christy Wampole•Modern Language Notes•2014

  • The Representation of the Metropolis in Scipio Slataper's Il mio Carso

    Elena Coda•Modern Language Notes•2002

  • Georg Lukács and Critical Theory

    Open Access•Tyrus Miller•Georg Lukács and Critical Theory•2022

  • The Emancipation of Dissonance

    Hinton, Susan Elizabeth Hinton et al.•Music and Letters•2010

  • Immersion Into Noise

    Open Access•Joseph Nechvatal•Immersion Into Noise•2011

Unique citing works6
Citations per year0.25
Citation span2002 - 2022 (21)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae