A França na música popular brasileira do século XX
Visões E Impressões De Sambistas E Chansonniers
Bibliographic Data
| ID | 5838775 |
|---|---|
| Authors | Nancy Aparecida Alves (Popular University of Nicaragua, corresponding author) |
| Year | 2008 |
| Publication date | 2008-03-07 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.8.2008.tde-04062008-100229 |
| OpenAlex | W1754830485 |
| Language | PT |
| References cited | 3 |
This study, which fits into the environment of the intercultural relationships between Brazil and France, searches to analyze and discuss the representation of French -its people, language and culture -in Brazilian Popular Music.The objective is, therefore, to verify how humor, the presence of the French language and its cultural markers have contributed to a consolidated project of a national identity.Based on some Greimasian semiotic concepts and equally on the notions of dialogism and polyphonia exposed by Mikhail Bakhtin, the study intends to observe the organization of discourse, as well as to learn about the forces (modalizations) that propel the characters inside the song and how they develop whilst social players of a determined era, clarifying, whenever possible, the relationships between discourse (internal circuit) and socio-historical conditions of production and reception (external circuit).The hypothesis starts from the premise that, just like the Brazilian identity, the image of the Frenchman was also constructed
Aesthetics · Art · Humanities · Linguistics · Media studies · Political science · Popular culture · Premise · Representation · Semiotics · Sociology · Cultural, Media, and Literary Studies · Law · Linguistics and Education Research · Literature, Culture, and Criticism · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |