"Photographic History in the Spirit of Constructivism Reflections on Walter Benjamin's "Little History of Photography
Bibliographic Data
| ID | 5839643 |
|---|---|
| Authors | Herbert Molderings, John Brogden |
| Year | 2014 |
| Volume | 6 |
| Issue | 3 |
| Pages | 317-344 |
| Publication date | 2014-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Art In Translation (JOURNAL) |
| Journal identifiers | ISSN: 1756-1310 • E-ISSN: 2380-5722 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.2752/175613114x14043084853074 |
| OpenAlex | W1965176465 |
| Language | EN |
| References cited | 2 |
The German art historian Herbert Molderings offers a lucid analysis of Walter Benjamin's seminal essay "Little History of Photography" (1931), including its reception. Although it represented the first critical study of photography in the German-speaking world, it was not until the mid-1960s that it made its mark, when it was embraced by the German New Left as a "manifesto" that reflected its own ideas. The essay offers a detailed account of the cultural and political background to Benjamin's essay and a critical analysis of Benjamin's own perception of photography, his inclusions and omissions, his socio-political standpoint, and his theoretical strategies
Constructivism (international relations · History of photography · Manifesto · Art, Politics, and Modernism · Photography and Visual Culture · Walter Benjamin Studies Compilation
| Highly cited | No |
|---|