Entre la ciencia ficción y las ciencias sociales
El "Lado Oscuro" De Las Ciudades Americanas
Bibliographic Data
| ID | 5839734 |
|---|---|
| Authors | Alain Mussei (École des hautes études en sciences sociales, corresponding author) |
| Year | 2007 |
| Volume | 33 |
| Issue | 99 |
| Publication date | 2007-08-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | EURE (Santiago (JOURNAL) |
| Journal identifiers | ISSN: 0250-7161 • E-ISSN: 0717-6236 |
| Publisher | Pontificia Universidad Catolica de Chile (PUBLISHER • CL) |
| DOI | 10.4067/s0250-71612007000200006 |
| OpenAlex | W2113975690 |
| SCIELO_PID | S0250-71612007000200006 |
| Language | ES |
| Citations received | 2 |
| References cited | 3 |
From the Metropolis de Fritz Lang to the city-planet of Coruscant, invented by George Lucas in the films of Star Wars, the city of the future (or of another galaxy) seems designed only to reflect the "dark side" of contemporary megalopolis, which suffer problems and dysfunctionality which are presented as insurmountable: traffic jams, contamination, environmental degradation, ethnic conflicts, deficienct public services, rising social and spatial disparities, daily violence.In order to develop this imaginary geography of fear, Latin American cities are often a source of inspiration for science fiction authors because they seem to them simultaneously both strange and foreign, old and modern, welcoming and dangerous.It is this tight relationship between representations of the Latin American city and the reality of the imaginary cities that we explore here, in a study of geofiction based on the comparison of two parallel urban worlds that play an important role in our collective mentalities
Art · Humanities · Latin American Urban Studies · Regional Development and Innovation · Youth Culture and Social Dynamics
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2014 - 2017 (4) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |