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Relationships, Ethics and (Observational) Documentary

Bibliographic Data

ID5840607
AuthorsK Nash (0000-0001-6445-9628, University of Tasmania, corresponding author)
Year2011
Volume26
Issue3
Pages224-239
Publication date2011-07-20
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Mass Media Ethics (JOURNAL)
Journal identifiersISSN: 0890-0523 • E-ISSN: 1532-7728
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/08900523.2011.581971
OpenAlexW2057834701
LanguageEN
Citations received16
References cited10

While documentary ethics has been largely normative to date, there is growing interest in alternative forms of ethical thinking. The work of Emmanuel Levinas in particular is providing a way of thinking through both the ethics of documentary viewing and production. This article begins by drawing attention to the link between documentary ethics and aesthetics and then uses Levinas's work to consider the ethical relations established in observational documentary production. Of the different documentary modes, the observational has been the source of particular ethical difficulties, yet viewed from a Levinisian perspective it is possible to identify ways in which observation preserves the alterity of the documentary subject

Alterity · Documentary film · Law in Society and Culture · Philosophy, Ethics, and Existentialism · Visual Culture and Art Theory

  • Sensible Politics

    William A Callahan•Sensible Politics•2020

  • The Observational Aesthetics of Honeyland (2019)

    Open Access•Tongtong Guo•Academic Journal of Humanities &…•2023

  • Re-framing documentary’s victims

    Shweta Kishore•Studies in Documentary Film•2023

  • Exploring the empathic potential of 360-degree documentary

    Open Access•Danai Mikelli•Studies in Documentary Film•2024

  • Crip, Arts

    seeley quest•Canadian Theatre Review•2022

  • Self-distribution and Mary Meets Mohammad

    Khorana, Sukhmani Khorana•Studies In Australasian Cinema•2015

  • It's good to talk? Talking Cure and the ethics of on-screen psychotherapy

    Lesley Blaker•Journal of Media Practice•2013

  • Morals, Money, and Power

    Christine Delp•Journal of Media Ethics•2026

  • Troubling representations of Black masculinity in the documentary film Raising Bertie

    Open Access•Wendy Keys, Barbara Pini•Cultural Studies Review•2018

  • Time in the camptown

    Namhee Han•Journal of Japanese and Korean…•2017

  • Ethical reflections on filming death in end-of-life documentaries

    Open Access•Outi Hakola•Mortality•2023

  • Filmmaker–subject relationship in documentary filmmaking

    Open Access•Fernando Canet•Catalan Journal of Communication…•2022

  • The Process

    Paola Bilbrough•a/b Auto/Biography Studies•2013

  • Exploring ethics management in documentary filmmaking in Ghana

    Emmanuel Dankwah, Ginn Bonsu Assibey et al.•African Identities•2026

  • That's good

    Open Access•Melissa Beattie•Critical Studies in Television…•2023

  • Cultural critics as moral reputational entrepreneurs

    Open Access•Christine Delp•Poetics•2025

  • New Documentary

    Stella Bruzzi•New Documentary•2006

  • Reality and Its Shadow

    Emmanuel Levinas•Collected Philosophical Papers•1987

  • Alterity and Transcendence

    Richard A Cohen•International Studies in Philosophy•2005

  • Otherwise than Being or Beyond Essence

    Open Access•Emmanuel Levinas•Otherwise Than Being Or Beyond…•1991

  • Image Ethics in the Digital Age

    Brian Rusted•Canadian Journal of Communication•2007

Unique citing works16
Citations per year1,23
Citation span2013 - 2026 (14)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 16

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