A construção de mundos em fotografias de representações
Supressão e ambiguidade em Robert Doisneau
Bibliographic Data
| ID | 5842927 |
|---|---|
| Authors | Greice Scheneider (Hospital Ana Nery), Benjamim Picado (0000-0002-8982-9231, Hospital Ana Nery) |
| Year | 2004 |
| Volume | 31 |
| Issue | 22 |
| Pages | 59-59 |
| Publication date | 2004-12-23 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Significação Revista de Cultura Audiovisual (JOURNAL) |
| Journal identifiers | ISSN: 1516-4330 • E-ISSN: 2316-7114 |
| Publisher | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/issn.2316-7114.sig.2004.65602 |
| OpenAlex | W2081539513 |
| Language | PT |
| Citations received | 1 |
The purpose ofthis article isto examine the range o f certain categorires o f analysis o f photographies, by means o f an exploration o f cerain aspects of the compositional style of French photographer Robert Doisneau (1912/1994): we are speci:ficaly concemed with the role exherted by ambiguity, proper to the visual situations generated by his photographs, in the con:figuration of an e.ffect of discourse to these images (these transformed in the succedanea of short narratives, almost always tinctured with comic humour). We intend to evaluate the efficacy of that ambíguity, departing from notions such as that of necessary incompleteness ofthe visible aspects ofvisual representatíons, together with the consequential cooperation that it demands from the part ofthe beholder (notions mainly derived from the lessons of Gombrich and Goodmen on the ontology of representation
Representation · Photography and Visual Culture · Urban and sociocultural dynamics · Visual Culture and Art Theory
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.07 |
| Citation span | 2012 - 2012 (1) |
| Citation velocity | historical |
| Highly cited | No |