California as Music to American Ears
Migration, Technology, and Rock and Roll in the Golden State, 1946-2000
Bibliographic Data
| ID | 5844261 |
|---|---|
| Authors | Toby T Willett (California Polytechnic State University, corresponding author) |
| Year | 2010 |
| Publication date | 2010-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | THESIS |
| Publisher | Robert E. Kennedy Library, Cal Poly (PUBLISHER) |
| DOI | 10.15368/theses.2010.33 |
| OpenAlex | W91958454 |
| Language | EN |
| References cited | 45 |
Migrations and technological advances in California following World War II, spurred radical changes in the production and development of popular music, most notably rock and roll. California largely lacked the entrenched traditions of the American Northeast, and in many ways its exploding population translated into the growth of a culture built around embracing newer methodologies, whether technological innovations or radical artistic departures. In large part owing to its increasing ethnic diversity during the economic expansion, California was uniquely poised to become a center of incredible postwar dynamism, especially when seen in the production, consumption, and stylistic development of music. Nevertheless, many of the radical departures in American music were contingent upon the contributions of a small group of inter-connected musical equipment manufacturers and musicians in California from the 1940s through the 1960s. As the United States experienced dramatic changes during the awesome postwar boom, Californian artists, merchants, and equipment makers exploited opportunities, making the Golden State the national trendsetter in musical developments both technological and stylistic. In particular, the invention, development, and further refinement of solid bodied electric guitars and basses in Southern California permanently changed how music would be made. The transformation of West Coast music would produce differing reactions nationally, while foreign developments would impact California, challenging its hegemony
Aesthetics · Appropriation · Art · Boom · Consumption · Dynamism · Music education · Music industry · Musical · Political science · Popular music · Population · Sociology · Visual arts · Demography · Engineering · History · Music History and Culture
The southern diaspora
The end of reform
Suburban warriors
Gunfighter nation
American exodus
Metahistory
Crabgrass Frontier
The Decline of the Californios
Liberalism and Its Discontents
Don't Get above Your Raisin'
Weimar on the PacificGerman Exile Culture in Los Angeles and the Crisis of Modernism
Walls and Mirrors
The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson
Evenings on and off the Roof
The Swing Era
Upside Your Head! Rhythm and Blues on Central Avenue
Rockin' in Time
How the Beatles destroyed rock 'n' roll
Manufacturing Suburbs
A Consumer's Republic
Manifest Design
Hollywood Studio Musicians
The Nash Thesis revisited
California Cities and the Hurricane of Change
A New Federal City
War as Watershed
The American Way of War
Searching for the Sound
Instruments of Desire
Stage to Studio
The American West in the Twentieth Century
California Rising
Our Country
Freedom from Fear
Strangers From A Different Shore
California
The Island of California
The Historians' War or The Home Front's War
The Way We Really Were
World War II and the West
The American West Transformed
Far Western Cityscapes and American Culture Since 1940
When We Were Good
A Consumers' Republic
| Citation velocity | historical |
|---|---|
| Highly cited | No |