Europe of love

The present collection of essays is the first collective result of the research project 'Europe: Emotions, Identities, Politics' that is being conducted at the Kulturwissenschaftliches Institut (KWI), Essen.1 The original inspiration for this type of research came to me at the Wissenschaftskolleg, Berlin, where I spent the year 1992-93; I continued the research at the European University Institute, Florence, in the years 1994-2002. The first product of this research was my book Europe in Love, Love in Europe (London: Tauris, 1999 and New York: New York University Press, 2000) that takes 1930s Britain as a case study, by situating it within a European context of longue durée. The present project has been funded by the Kulturwissenschaftlicher Forschungspreis des Landes Nordrhein-Westfalen from 2002 to 2004. Within its general framework, the members of the research group, directed by Luisa Passerini, have developed their own individual projects; they are Liliana Ellena, Alexander Geppert, Jo Labanyi, Ruth Mas, Almira Ousmanova, and Alison Sinclair. Guests of the project have been invited for periods of time up to a month; numerous seminars, workshops and conferences have been organised, with the participation of junior and senior scholars from various countries. The majority of the papers presented on these occasions will be published at the end of the project. The approach of our research is that of a cultural history of Europe, and the focus is on the historical connection between the idea of Europe and a certain type of personal emotion. The project aims to explore the relationships between political forms of identity and cultural attitudes in the field of emotions in Europe. More specifically, it is engaged in understanding the relationship between the formation of identity in the European context, on the one hand, and the idea of courtly and romantic love, on the other. I have argued elsewhere that European cultural identity must be distinguished from the political version based on the sense of belonging to the European Union. In the course of this introductory essay I always refer to a cultural Europe.2 Cf. Luisa Passerini, 'From the Ironies of Identity to the Identities of Irony', in A. Pagden, ed., The Idea of Europe. From Antiquity to the European Union, Cambridge, Cambridge University Press, 2002. The original inspiration for this type of research came to me at the Wissenschaftskolleg, Berlin, where I spent the year 1992-93; I continued the research at the European University Institute, Florence, in the years 1994-2002. The first product of this research was my book Europe in Love, Love in Europe (London: Tauris, 1999 and New York: New York University Press, 2000) that takes 1930s Britain as a case study, by situating it within a European context of longue durée. The present project has been funded by the Kulturwissenschaftlicher Forschungspreis des Landes Nordrhein-Westfalen from 2002 to 2004. Within its general framework, the members of the research group, directed by Luisa Passerini, have developed their own individual projects; they are Liliana Ellena, Alexander Geppert, Jo Labanyi, Ruth Mas, Almira Ousmanova, and Alison Sinclair. Guests of the project have been invited for periods of time up to a month; numerous seminars, workshops and conferences have been organised, with the participation of junior and senior scholars from various countries. The majority of the papers presented on these occasions will be published at the end of the project. This introduction is divided into a presentation of the project, the specific itinerary that we propose in this special issue, and some considerations on its thematic

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