Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The Anecdote as a Symbolic Expression of the Social and Cultural Milieu of Journalists

Bibliographic Data

ID5845517
AuthorsMartha Blache (Universidad de Buenos Aires, corresponding author)
Year1999
Volume110
Issue1-2
Pages49-55
Publication date1999-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFolklore (JOURNAL)
Journal identifiersISSN: 0015-587X • E-ISSN: 1469-8315
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/0015587x.1999.9715980
OpenAlexW2056831225
LanguageEN
Citations received1
References cited9

This paper analyses two anecdotes that circulate within the occupational group of newspaper journalists in Argentina. The analysis takes into account the strong interrelationship existing between the narrative and the social and cultural life of this group. I draw on a performance-centred approach which allows the possibility of examining some of the formal and generic characteristics of anecdotes. It also reveals aspects of prime importance in the everyday work of journalists, such as the risks they run and the tricks they resort to in order to obtain the news. Among the different genres of folk narrative, the anecdote has attracted comparatively little attention. This led the well-known American folklorist Archer Taylor to call it a neglected (Taylor 1970). Till then, the anecdote had remained almost ignored by most scholars, who were seduced by the attractions of other types of narratives such as fairytales and legends. In this paper, I will analyse anecdotes recurrent among newspaper journalists in Argentina, taking into account functional and generic considerations as well as the strong interrelationship between the narrative itself and the social and cultural life of the occupational group it circulates in. To accomplish the analysis, I use a performance-centred approach inspired by Richard Bauman's article Hell, yes, but not that young (Bauman 1986, 55-77). As Bauman points out in another essay, this approach goes far beyond the study of the way in which language is used in the construction of a textual item (Bauman 1977). It represents a transformation of the basic and referential uses of language within what Erving Goffman calls an interpretive frame (Goffman 1974). According to this approach, context--be it textual, situational, social or societal (Bausinger 1994)--has a predominant role, since the narrators, their narrative and their audience are all related as components of a unique continuum. Contexts are mediating agents that relate the text to the narrators' world, at the same time providing clues for the interpretation of symbols, ideas, beliefs and knowledge (Ben Amos 1993, 212). From this perspective, the communicative process taking place between the narrator and his/her audience is crucial This process highlights the devices used by the participants in a narrative event to adapt a story to the situation in which it emerges and to the receptivity of the participants in the storytelling event. In this way, it shows the dynamics of tradition as well as the metacommunicative resources brought into play. From a corpus of anecdotes I collected from Argentinian journalists, I have selected two which belong to the type known as historical or legendary anecdotes--although, it must be said, a classification of the folklore genre in question has not been fully agreed upon yet. Some folklorists have defined anecdotes as part of a type related to jokes (Aarne-Thompson 1987, 254),(1) while others have placed them with personal experience narratives such as memorates and chronicates (Gwyndaf 1984). But, however they are classified, anecdotes are short stories, presumably veridical, generally centred on a single episode and on a single scene revolving around personalities or local figures. Often they are directly connected with some incident considered worthy of being narrated. According to Bauman, anecdotes tend to be heavily dialogic in construction, often culminating in a kind of punch line, a striking, especially reportable statement rendered in direct discourse. That is to say, quoted speech is a significant stylistic feature of the (Bauman 1986, 55). The Anecdotes While interviewing journalists,(2) I repeatedly came across personal experience narratives and anecdotes about a distressing episode in Argentina's history that took place during the presidential term of Dr Arturo Illia. For many years, Illia had practised as a medical doctor in a small provincial town, Cruz del Eje; later he held several political positions

Anecdote · Expression (computer science · The Symbolic · Literature, Film, and Journalism Analysis · Media, Gender, and Advertising · Radio, Podcasts, and Digital Media

  • Competitors, collaborators or compaions? Gossip and storytelling among political journalists in Northern Ireland

    Open Access•Kathryn Bell•Journal of the Society for the…•2003

  • The types of the folktale

    Antti Amatus Aarne•The types of the folktale•1961

  • Competence in performance

    Charles L Briggs•Competence in performance•1988

  • Verbal art as performance

    Richard Bauman•Verbal art as performance•1977

  • Frame analysis

    Erving Goffman, José Luis Rodríguez•Frame Analysis•1986

  • Story, Performance, and Event

    Open Access•Richard Bauman•Story, Performance, and Event•1986

  • Handbook of American Folklore

    Éilís Ní Dhuibhne-Almqvist, Richard M Dorson•Béaloideas•1984

  • "Context" in Context

    Dan Ben‐amos, Dan Ben-Amos•Western Folklore•1993

  • Verbal Art as Performance1

    Open Access•Richard Bauman•American Anthropologist•1975

Unique citing works1
Citations per year0.04
Citation span2003 - 2003 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae