Institutions of Modernism
Literary Elites and Public Culture
Bibliographic Data
| ID | 5847913 |
|---|---|
| Authors | J Paul De Castro (0009-0003-4433-2015), Joy Castro, Lawrence Rainey |
| Year | 2000 |
| Volume | 17 |
| Issue | 3 |
| Pages | 149-149 |
| Publication date | 2000-01-01 |
| Open Access | Yes |
| Type | REVIEW |
| Review of | Institutions of modernism: Literary Elites and Public Culture, Lawrence S Rainey, 1998 |
| Venue | South Central Review (JOURNAL) |
| Journal identifiers | ISSN: 0743-6831 • E-ISSN: 1549-3377 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3190105 |
| OpenAlex | W1996359216 |
| Language | EN |
This book provides a radical and revisionary account of modernism, its many contradictions, and its troubled place in our public culture. Lawrence Rainey, widely known for his contributions to the debates on modernism, looks beyond the well-examined themes and innovative forms of the movement, asking instead where modernism was produced and how it was transmitted to particular audiences. Delving into previously unexamined primary materials, the author tells new and startling stories about five major modernist figures - James Joyce, T. S. Eliot, Ezra Pound, H.D., and F. T. Marinetti - whose individual tales offer fresh perspectives on the larger story of modernism itself. The book ranges in time from the formation of Imagism in 1912 to the slow dissolution of modernism during the late 1930s
Aesthetics · Art · Literature · Media studies · Modernism · Modernism (music · Political science · Politics · Public culture · Sociology · Irish and British Studies · Law
Picking Your Professor
Audre Lorde, Theodor Adorno, and the Administered Word
New Age Scholarship
‘You should have disappeared years ago’ – the poetics of cultural disappearance in M ina L oy's late poems
Edward J. O'Brien's Prize Stories of the ‘National Soul’
Creative Writing Programmes and Patronage
The Cambridge Companion to Modernist Culture
The Cambridge History of Modernism
Ireland, Revolution, and the English Modernist Imagination
Modernism and Religion
A Political Economy of Modernism
Popular Theater
On or About 1922
Forced Exile
"Peaceful and Exciting"
Colloquy
‘Not Another Museum’
Rubén Darío, Latino Poet
Metamedia
Modernism, Feminism, and Jewishness
Interwar Modernism and the Liberal World Order
Marketing the Southwest
Ezra Pound's Whistler
How a Canon Is Formed
Looking all lost towards a Cook's guide for beauty”
Love and Hate in D. H. Lawrence
Adjectives and the Work of Modernism in an Age of Celebrity
Deafening Modernism
Sounding Dismodernism in James Joyce’s Ulysses
About Change
Compton Mackenzie's and Hugh MacDiarmid's Early Broadcasting Critique
Introduction
A True Magic Chamber’
Copywriting Gertrude Stein
Art, Nationalism and War
For God's and Virginia's sake why a translation?’ - Virginia Woolf's Transfer to the Low Countries
The Seim Anew’
Economic Ideas and British Literature, 1900–1930
Mixing Media
Djuna Barnes in a Material World
Modernist Literature and the Everyday
Late Modernism, 1928–1945
Pop goes the canon
Fashioning Readers
Family Business
Modernism, “Popularity,” and the Sex Novel
The History of Ideas
Poetry Is Theft
Between Impressions and Data
Broad-Minded Support”
Twentieth-Century Poetry and Visual Culture
Altered Observation of Modern Eyes
Scholarship and the Modernist Public
Modernism, Satire and the Novel
Materialism and the Book
| Highly cited | No |
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