Musique, torture et détention
Réflexions Sur Des Enjeux De Recherche Et De Discipline
Bibliographic Data
| ID | 5848010 |
|---|---|
| Authors | Anna Papaeti (corresponding author) |
| Year | 2020 |
| Volume | Hors-série 2 |
| Issue | Hors-série 2 |
| Publication date | 2020-03-15 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Transposition (JOURNAL) |
| Journal identifiers | ISSN: 2110-6134 • E-ISSN: 2110-6134 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/transposition.5289 |
| OpenAlex | W3012094915 |
| Language | FR |
| Citations received | 6 |
| References cited | 16 |
This essay explores the late engagement of music research with the long-standing yet overlooked association between music, violence and terror. In mapping this new field, it seeks to understand this latency as a disciplinary trauma. It examines music's integral role in new technologies of terror emerging during the Cold War, the cultural biases that have turned it into an elusive means of torture, and the effects stemming from the overshadowing of its damaging potential. Focusing on the notion of witnessing, it highlights the need for more nuanced soundscapes of detention that explore the entanglement of negative and positive uses of music as they are imposed from above and reclaimed from below
Art · Cold war · Criminology · Discipline · Human rights · Humanities · Political science · Politics · Social science · Sociology · Torture · Diverse Musicological Studies · Law in Society and Culture · Visual Culture and Art Theory · Law
| Citations per year | 1 |
|---|---|
| Citation span | 2020 - 2024 (5) |
| Highly cited | No |