Disrupting Social Exclusion in the Museum Through the Use of Rock as a Place of Memory
Bibliographic Data
| ID | 5849997 |
|---|---|
| Authors | María Isabel Flores Varela (0000-0003-4398-1059, National Institute of Anthropology and History, corresponding author) |
| Year | 2019 |
| Volume | 8 |
| Pages | 149-159 |
| Publication date | 2019-10-15 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Eikon / Imago (JOURNAL) |
| Journal identifiers | ISSN: 2254-8718 • E-ISSN: 2254-8718 |
| Publisher | Universidad Complutense de Madrid (UCM) (PUBLISHER) |
| DOI | 10.5209/eiko.73421 |
| OpenAlex | W3010263827 |
| Language | EN |
| Citations received | 1 |
| References cited | 6 |
The majority of people prefer to go to the movies rather than to a museum. This is not surprising given the image of a high-cultured, history-based, representation-controlled museum-cemetery that pervades in the collective imaginarium. We can admit that the museum as a whole, is affected by a set of wicked problems, and one resonates pretty loud: the social exclusion. There are many forces that have facilitated the social exclusion in the museum. In this article, I would like to share the results of my research, "Rock as a place of memory," in which I analyze how history has superseded memory through the museum ́s genealogy and propose the transformation of rock music into a place of memory as a tool to disrupt social exclusion of the museum
Collective memory · Representation · Rock art · Social exclusion · Social memory · Cultural Heritage Management and Preservation · Memory, Trauma, and Commemoration · Museums and Cultural Heritage
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,14 |
| Citation span | 2019 - 2019 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |