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Visual Cultures

Bibliographic Data

ID5851971
AuthorsSidney Littlefield Kasfir (Emory University, corresponding author), Sidney Kasfir
EditorsJohn Parker (0009-0007-0189-2572), Richard Reid (0000-0002-1690-064X)
Year2013
Pages536
Publication date2013-12-16
Open AccessNo
TypeBOOK
VenueModern African History Some Historiographical Observations (SOURCE_BOOK)
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/oxfordhb/9780199572472.013.0023
OpenAlexW4210695245
ISBN9780199572472
Open LibraryOL26177406M
LanguageEN

The first collectors of African art and artefacts were nineteenth-century explorers. The second were modern art collectors and dealers, fascinated by an art, primarily sculpture, which was in every way opposite to academic European teaching. As fieldwork expanded the knowledge base of African art and performance, masquerades became a major research subject and vehicle for both African history and social theory. However, African visual culture encompasses not only these aesthetic practices but also the visual environment reproduced in print and electronic media. This wider array of imagery has affected indigenous aesthetics since the beginning of its availability in the early stages of European colonization, giving rise to modern African photography and painting

Art · Indigenous · Painting · Photography · Sculpture · Subject (documents) · Visual arts · Visual culture · African history and culture studies · History · Africa · Essays · Historiography

Highly citedNo

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