Looking Back
Gender, Sexuality and Race InThe Piano
Bibliographic Data
| ID | 5854100 |
|---|---|
| Authors | Margaret Jolly (0000-0003-3454-3436) |
| Year | 2009 |
| Volume | 24 |
| Issue | 59 |
| Pages | 99-121 |
| Publication date | 2009-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Australian Feminist Studies (JOURNAL) |
| Journal identifiers | ISSN: 1321-7568 • E-ISSN: 1465-3303 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/08164640802680627 |
| OpenAlex | W1972675647 |
| Language | EN |
| References cited | 20 |
Political science · Cinema and Media Studies · Music History and Culture · Shakespeare, Adaptation, and Literary Criticism
The Desire to Desire
Sites of desire, economies of pleasure
Feminist Film Theory
Sexual Encounters
Jane Campion's Selling of the Mother/Land
Playing Jane Campion's Piano
The art film, affect and the female viewer
Visual Pleasure and Narrative Cinema
Lips and fingers
The return of the repressed? Whiteness, femininity and colonialism in The Piano
Piano recital
Ada's Piano Playing in Jane Campion'sThe Piano
Weird Lullaby
Death and the Maiden
| Highly cited | No |
|---|