Fashionable 'Formation

Reclaiming the Sartorial Politics of Josephine Baker

Datos Bibliográficos

ID5854280
AutoresJennifer Sweeney-Risko
Año2018
Volumen33
Número98
Páginas498-514
Fecha de publicación2018-10-02
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaAustralian Feminist Studies (JOURNAL)
Identificadores de la revistaISSN: 1321-7568 • E-ISSN: 1465-3303
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/08164649.2019.1567251
OpenAlexW2914108011
IdiomaEN
Referencias citadas15

This article historicises Josephine Baker's use of fashion in terms of contemporary black stage performers, particularly Beyoncé Knowles-Carter's evolving black feminist politics. It examines Beyoncé's references to Baker as an inspiration for her own black feminist art and argues that they offer an opportunity to re-examine Baker's legacy in our own contemporary moment. Using Beyoncé's arguments about Baker as a starting point, the article examines Baker's fashions and costumes and argues that she used them to manipulate her relationship to the models of white supremacy that attempted to structure her identity and relationship to the public sphere. Using contemporary black feminist criticisms of respectability politics, it argues that Baker's fashions produced a politics of disrespectability, where clothing and body worked together to carve out space for black feminist experimentation. By constantly changing the terms through which her audiences and the public read her, Baker carved out a subjective space where she could become in relation to her clothes without restraining herself to the identity categories normatively allotted to black women

Aesthetics · Art · Black feminism · Black women · Clothing · Feminism · Identity (music · Political science · Politics · Public sphere · Relation (database · Sociology · White (mutation · Decadence, Literature, and Society · Fashion and Cultural Textiles · Historical Gender and Feminism Studies · Gender Studies · Law · Philosophy