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Performative Rhetorics in Invisibility

Phoebe Philo's Undone Authorship

Bibliographic Data

ID5854900
AuthorsErin O’connor (0000-0002-6318-5693)
Year2018
Volume33
Issue98
Pages530-547
Publication date2018-10-02
Open AccessNo
TypeARTICLE
VenueAustralian Feminist Studies (JOURNAL)
Journal identifiersISSN: 1321-7568 • E-ISSN: 1465-3303
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/08164649.2019.1567254
OpenAlexW2914968872
LanguageEN
References cited9

This inquiry analyses the rhetoric of intentionally unfinished fashion contained in the collections from Céline as designed by Phoebe Philo and explicates the implications of this approach to fashion as a feminist text. Shoshana Felman’s seductive promise of speech, modified with insights from Paul de Man’s theory of autobiography as both giving face and defacement, is applied to Philo’s ‘new minimalism’ in order to highlight its appeal to modern female audiences. Using insights from the philosophy of Jacques Derrida, I examine ways in which wearers may seek to create a signature citationality via clothing that produces its own ‘unwriting’ therefore allowing the wearer to believe she inscribes her own iteration while maintaining control. Wearers are offered the chance to identify with a designer who is enlightened beyond fast and flashy fashion while hinting at the notion of the clothing having the substantialising effect that language has (instead of representational). Through this examination, clothing is shown to be a decision, and clothing is also shown to be a fiction. These decisions and fictions are open to failure; yet Felman offers that this failure acts as an opening remaining inadvertent or unacknowledged. Philo's designs invite an exploration of clothing as performative rhetoric

Aesthetics · Art · Invisibility · Performative utterance · Physics · Sociology · Gender, Feminism, and Media · Posthumanist Ethics and Activism · Rhetoric and Communication Studies · Philosophy

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Highly citedNo

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