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From #AltErLove to #LoveIsLove

Transmedia formats, audience engagement and sexual diversity

Bibliographic Data

ID5859050
AuthorsThalia Van Wichelen (0000-0001-6409-9167, University of Antwerp, corresponding author), Esther De Loose (0000-0002-5112-0665, University of Antwerp), A Dhoest (0000-0002-6656-6125, University of Antwerp), Sander De Ridder (0000-0003-3475-0523, University of Antwerp)
Year2024
Volume20
Issue4
Pages430-445
Publication date2024-04-22
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCritical Studies in Television The International Journal of Television Studies (JOURNAL)
Journal identifiersISSN: 1749-6020 • E-ISSN: 1749-6039
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/17496020241247111
OpenAlexW4395012955
LanguageEN
Citations received1
References cited23

SKAM (2015-2017) and its Flemish adaptation wtFOCK (2018-2021) use several digital platforms to provide viewers with content, enabling different types of audience engagement. By means of a social media analysis, this study investigates how producers utilise transmedia tools to enhance viewers' involvement with the depicted storyline and how viewers interact with the provided content on LGBTQ issues. An analysis of Instagram comments and posts illustrates three different ways audience members gather online: Instagram serves as (1) a platform to connect while co-viewing, (2) a safe environment against homophobia, and (3) a collective of television critics. Transmedia formats like SKAM and wtFOCK contribute to inclusive depictions of sexual minorities and generate accessible spaces for LGBTQ individuals and allies to engage with one another online

Media studies · Sociology · Anthropology · Cinema and Media Studies · Digital Games and Media · Gender, Feminism, and Media

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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