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The contested interpretation of heritage landscapes in northern Ireland

Bibliographic Data

ID5884965
AuthorsBrian Graham (University of Ulster, corresponding author)
Year1996
Volume2
Issue1-2
Pages10-22
Publication date1996-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInternational Journal of Heritage Studies (JOURNAL)
Journal identifiersISSN: 1352-7258 • E-ISSN: 1470-3610
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13527259608722158
OpenAlexW1988959981
LanguageEN
Citations received8
References cited9

Because the nature of society is both negotiated and contested, cultural artefacts, including heritage landscapes, will be invested with differing and conflicting meanings by various social groups. This is but one aspect of what might be termed the dissonance of heritage. The present discussion is framed within the context of the argument that relics of the past are a resource to be selectively exploited in accordance with contemporary political and cultural demands. The paper uses the example of Ulster's Folk and Transport Museum to examine these issues. It concludes that while consumers do appreciate the cultural complexity of the Museum's role as one medium of communication of identity in a contested society, the institution's effectiveness in this regard is undermined by the middle‐class bias of those consumers

Aesthetics · Archaeology · Art · Cognitive dissonance · Cultural heritage · Cultural heritage management · Environmental ethics · Institution · Political science · Politics · Social science · Sociology · Cultural Heritage Management and Preservation · History · Law · Memory, Trauma, and Commemoration · Religious Tourism and Spaces · Social Psychology

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Unique citing works8
Citations per year0,29
Citation span1998 - 2026 (29)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 8

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