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Accounting for Independent Creativity in the New Cultural Economy

Bibliographic Data

ID5904074
AuthorsJim Shorthose (corresponding author)
Year2004
Volume112
Issue1
Pages150-161
Publication date2004-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMedia International Australia (JOURNAL)
Journal identifiersISSN: 1329-878X • E-ISSN: 2200-467X
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1329878x0411200112
OpenAlexW2258585847
LanguageEN
Citations received8
References cited17

What is the best way to capture and account for the independent sector of the cultural economy, given that it operates in significantly different ways from the formal economy? While economic impact studies have provided one answer to this question, this article proposes in their stead an ethnographic study of the cultural economy which would uncover the often hidden, temporary and spontaneous features of the sector. Such an ethnographic approach to economic issues is identified as one way in which research designs and strategies can be made appropriate to the specificities of the cultural sector. Such an approach can help illuminate the dynamics of creativity and highlight the practical, everyday nature of work and employment in the cultural sector. It can also help to focus attention on the importance of informal economic and cultural processes which tend to be hidden from view when there is an economic outcomes-based focus

Creativity · Economic sector · Economic system · Economics · Economy · Ethnography · Focus (optics) · Political science · Sociology · Work (physics) · Anthropology · Art History and Market Analysis · Creativity in Education and Neuroscience · Cultural Industries and Urban Development · Engineering · Law

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    Open Access•Sam Whiting•Cultural Sociology•2021

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    Christopher Brennan-Horley, Chris Brennan-Horley•Australian Geographer•2010

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Unique citing works8
Citations per year0,47
Citation span2009 - 2021 (13)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 8

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