Shaping collaboration
Considering institutional culture
Bibliographic Data
| ID | 5905927 |
|---|---|
| Authors | Julia Harrison (0000-0002-6953-5180, Trent University, corresponding author) |
| Year | 2005 |
| Volume | 20 |
| Issue | 3 |
| Pages | 195-212 |
| Publication date | 2005-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Museum Management and Curatorship (JOURNAL) |
| Journal identifiers | ISSN: 0964-7775 • E-ISSN: 1872-9185 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/09647770500402003 |
| OpenAlex | W4247829715 |
| Language | EN |
| Citations received | 19 |
| References cited | 16 |
Laura Peers and Alison Brown in their recent book, Museums and Source Communities, suggest that collaborative relationships established between museums and source communities are contingent on three things: the nature of the source community; the political relationship between the source community and the museum; and the geographical proximity of museums to these communities (2003: 3). In this paper, I add another factor to these three: the unique culture of the individual museum. It draws on research I did on collaborative projects undertaken by the Calgary's Glenbow Museum and the Blackfoot peoples in southern Alberta and Montana, and the Royal British Columbia Museum in Victoria, BC and the Nuu-chah-nulth people of the West Coast of Vancouver Island
Business · Political science · Public relations · Sociology · Management and Organizational Studies
Decolonising the museum
Co-Authoring Relationships
The effects of perceived authenticity, information search behaviour, motivation and destination imagery on cultural behavioural intentions of tourists
Heritage interpretation and foreign language provision at Irish visitor attractions
Building mutual rewarding sponsor relationships between museums and corporations
Social Identity as a Motivator in Cultural Festivals
Bridging gaps between intentions and realities
Positioning museums on an authenticity continuum
How a Museum Dies
The effects of repatriation on the relationship between the Glenbow Museum and the Blackfoot people
Maintaining Relationships with Native Communities
The museum values framework
Encoding object-oriented democracy in Swedish museums
Developing dialogue in co-produced exhibitions
Institutional culture and the work of human rights in Canadian museums
The co-production of temporary museum exhibitions
What Matters
Neocolonial Collaboration
Collaborative Museology and the Visitor
| Unique citing works | 19 |
|---|---|
| Citations per year | 0,9 |
| Citation span | 2005 - 2023 (19) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 17 |