The genesis of opera singing in Ukrainian chamber vocal music

Bibliographic Data

ID5906384
AuthorsNatalia Kadanceva (0000-0002-0954-8422, Odessa National A. V. Nezhdanova Academy of Music), Yeyu Liu (0000-0001-9182-8468, Suzhou University of Science and Technology)
Year2023
Volume23
Publication date2023-05-04
Open AccessYes
TypeARTICLE
VenueMúsica Hodie (JOURNAL)
Journal identifiersISSN: 1676-3939 • E-ISSN: 2317-6776
PublisherUniversidade Federal de Goias (PUBLISHER • BR)
DOI10.5216/mh.v23.73975
OpenAlexW4391953678
LanguageEN
Citations received2

The article considers the specifics of chamber and vocal genres in Ukrainian music culture. Genre evolution of Ukrainian chamber and vocal music covers the XVIII-XX centuries. and consists of 3 stages: from Cantus and song-romance music of the XVIII-early XIX centuries, then romance (mid-XIX century) of strophic and three-part form, to pan-European parallels in the form of lyrical vocal miniature through type or recitative monologue, including touches of arioso expressiveness. The Ukrainian Cantus as a genesis for creation of chamber vocal culture is analyzed. It is determined that the Ukrainian Cantus becomes the basis of the national romance line in the chamber sphere, which extremely actively covered the lyrical array of singing and in the chamber variety, anticipating the aria in the Ukrainian urban-salon sphere. It is noted that the genesis and evolution of Ukrainian romance in the links with folklore and cult tradition, which determined the place of chamber vocal music in Ukrainian opera

Acoustics · Art · Chamber music · Folklore · Italian opera · Linguistics · Literature · Opera · Physics · Romance · Singing · Ukrainian · Visual arts · Central Asia Education and Culture · Education and Social Development in Ukraine · History · Philosophy · Physical Education and Training Studies

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