Transcoding the I Ching as Composition Techniques in Chou Wen Chung, Zhao Xiaosheng and Chung Yiu Kwong
Bibliographic Data
| ID | 5906407 |
|---|---|
| Authors | Ke Xue (0000-0001-7443-2736, Beibu Gulf University), Fung Ying Loo (0000-0002-2776-6626, University of Malaya) |
| Year | 2019 |
| Volume | 19 |
| Publication date | 2019-05-13 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Música Hodie (JOURNAL) |
| Journal identifiers | ISSN: 1676-3939 • E-ISSN: 2317-6776 |
| Publisher | Universidade Federal de Goias (PUBLISHER • BR) |
| DOI | 10.5216/mh.v19.52739 |
| OpenAlex | W2946331885 |
| Language | EN |
| Citations received | 6 |
| References cited | 5 |
This article examined into three Chinese composers' compositional method based on the ancient Chinese philosophy I Ching. Transcoding the 64 hexagrams of the I Ching in the piano solo works of Chou Wen Chung, Zhao Xiao Sheng and Chung Yiu Kwong display new representative of Chinese New Music. The analysis shows Chou and Chung's creations that emphasize the use of the 64 hexagrams within a Westernized context, while Zhao brought out a new and individual compositional method based on the Chinese ancient philosophy that shows a complete departure from the West
Archaeology · Art · Literature · Diverse Music Education Insights · History · Musicology and Musical Analysis · Neuroscience and Music Perception · Philosophy
Chinese Piano Music
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Chou Wen Chung's Variable Modes in the Process of Development and Transformation
Leveraging AI and Machine Learning to Personalise Music Education
Neo-Folklore Motifs in a Chen Yi’s Piano Work
| Unique citing works | 6 |
|---|---|
| Citations per year | 1,2 |
| Citation span | 2021 - 2025 (5) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |