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The perception of vocal aesthetics in digital art

Bibliographic Data

ID5906504
AuthorsHuihui Chen (0000-0001-5272-7250, Communication University of Zhejiang), Chang Liu (0000-0002-1198-6990, Ningbo University)
Year2022
Volume22
Publication date2022-02-16
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMúsica Hodie (JOURNAL)
Journal identifiersISSN: 1676-3939 • E-ISSN: 2317-6776
PublisherUniversidade Federal de Goias (PUBLISHER • BR)
DOI10.5216/mh.v22.68883
OpenAlexW4225396540
LanguageEN
Citations received1

The active use of new digital technologies in the art of music is becoming the basis of a new aesthetic perception. The possibilities of digital technology to transform the voices of performers make it relevant to consider the role of vocal aesthetics in digital music art. This study aims to investigate the features of vocal aesthetics perception in digital art. The perception of musical works as pleasant or unpleasant correlates with the psycho-emotional state of the listener; thus, to study the psycho-emotional impact of synthesized vocal without instrumental accompaniment, the authors used Kunin projective physiognomic test (1977), the WAM (Well-being, Activity, Mood) technique (1973), and the Wessman-Ricks self-assessment of mental state technique (2004). The study involved 182 students and teachers of Music College, Ningbo University, China. The study of the psycho-emotional state of respondents before and after listening to synthesized vocal compositions allowed the authors to indirectly evaluate the aesthetic perception of digital music art. After listening to the vocal digital fragment, which included both major and minor fragments of different tempo and rhythm, the overall mood in the group of respondents significantly improved: good mood was detected in 26.9% of cases, and very good - in 11.5%. The positive impact of listening to a vocal digital song on the well-being, activity, and mood of the respondents correlates with its positive aesthetic impact. The research confirms that aesthetic properties are directly dependent on the listener's point of view, aesthetic experience is a matter of value and emotion, and aesthetic feeling arises as a result of an unconscious process and is associated with the normalizing effect of digital vocal composition on the psycho-emotional state of the respondents

Active listening · Aesthetic value · Aesthetics · Art · Cognitive psychology · Improvisation · Mood · Musical · Perception · Visual arts · Vocal music · Communication · Digital Media and Visual Art · Music · Music Technology and Sound Studies · Psychology · Social Psychology

  • Retracted Article

    Open Access•Luoxiao Zhang, Jiawei Hu•Journal of Psycholinguistic…•2023

Unique citing works1
Citations per year0,33
Citation span2023 - 2023 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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