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A figuração manifesta da homossexualidade nas late plays de Tennessee Williams escritas entre 1970 e 1983

Bibliographic Data

ID5916068
AuthorsLuis Marcio Arnaut De Toledo (0000-0002-9301-2339, Universidade Estadual de Campinas (UNICAMP), corresponding author)
Year2025
Volume15
Issue33
Pages315-338
Publication date2025-01-31
Open AccessYes
TypeARTICLE
VenuePÓS Revista do Programa de Pós-graduação em Artes da EBA/UFMG (JOURNAL)
Journal identifiersISSN: 1982-9507 • E-ISSN: 2238-2046
PublisherUniversidade Federal de Minas Gerais - Pro-Reitoria de Pesquisa (PUBLISHER)
DOI10.35699/2238-2046.2025.54353
OpenAlexW4409215881
LanguagePT
References cited2

This article explores the explicit representation of homosexuality in 12 late plays by Tennessee Williams, written between 1970 and 1983, works completely unpublished in Brazil. To do so, it takes into account the historical, social, and cultural context in which they were conceived: the counterculture, the alternative theater scene off and off-off-Broadway, the emergence of gay theater in the US, and the rise of conservatism in the Reagan era, and its detrimental consequences. This analysis reveals another side of Tennessee Williams, both in terms of his known style in Brazil and the themes addressed, highlighting the urgency of LGBTQIAPN+ issues by portraying their realities and the essential structure of American society

Art · Shakespeare, Adaptation, and Literary Criticism · Theater, Performance, and Music History · Theatre and Performance Studies

Highly citedNo

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