Cross-National Attunement to Popular Songs across Time and Place

A Sociology of Popular Music in the United States, Germany, Thailand, and Tanzania

Bibliographic Data

ID5934504
AuthorsT Waters (0000-0001-5426-4552, Payap University, corresponding author), David Philhour (California State University, Chico)
Year2019
Volume8
Issue11
Pages305
Publication date2019-11-05
Open AccessYes
TypeARTICLE
VenueSocial Sciences (JOURNAL)
Journal identifiersISSN: 2076-0760 • E-ISSN: 2076-0760
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/socsci8110305
OpenAlexW2983090670
LanguageEN
Citations received3
References cited5

This paper explores empirically Edward T. Hall's assertion about the role of musical elements, including rhythm recognition and what are called "ear worms" in popular culture. To test Hall's assertion, data were collected from the United States, Germany, Tanzania, and Thailand in 2015-2017 using a 26 brief "song intros." Data were also collected from exchange students from South Korea and Turkey. Survey responses were analyzed using factor analysis in order to identify patterns of recognition. It was found that there were indeed patterns of recognition apparently reflecting national boundaries for some song recognition, but others crossed boundaries. A separate analysis of patterned recognition comparing American youth under thirty, with elders over 60 indicated that there were also boundaries between age groups. Such experiments in music recognition are an effective methodology for Culture Studies given that musical elements are tied to issues of identity, culture, and even politics. Music recognition can be used to measure elements of such subconscious habitus

Aesthetics · Art · Assertion · Habitus · Identity (music · Musical · Social science · Sociology · Subconscious · Visual arts · Diverse Musicological Studies · Music History and Culture · Psychology · Social and Cultural Dynamics

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