Beauty and truth. The aesthetic practice of news and the media prosumer
Bibliographic Data
| ID | 5943570 |
|---|---|
| Authors | Shashidhar Nanjundaiah (0009-0009-9954-1379, corresponding author) |
| Year | 2025 |
| Volume | 13 |
| Issue | 1 |
| Publication date | 2025-04-28 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | methaodos revista de ciencias sociales (JOURNAL) |
| Journal identifiers | ISSN: 2340-8413 • E-ISSN: 2340-8413 |
| Publisher | Methaodos.revista de ciencias sociales (PUBLISHER) |
| DOI | 10.17502/mrcs.v13i1.842 |
| OpenAlex | W4409869355 |
| Language | EN |
| References cited | 17 |
The rationality of modern aesthetics is not limited to art but extends to news. However, an ideological approach to news aesthetics remains, at best, unfulfilled. By applying a global South approach, this paper offers an alternative understanding of how television platforms employ aesthetic value. It first offers an ideological description of news aesthetics-that is, the conversion of an incident into a media event by the creation of popular appeal, and its mythification in society. By situating the media prosumer in this ecosystem, it exposes the bond between presented beauty and absented truth, arguing that this conflicted relationship marks the essence of news aesthetics. This theory-building paper explores the relationship between aesthetics and the production of news. Based on this premise, four features of news aesthetics are propounded. Using a case study, it illustrates how these features operate in tandem to suture a media prosumer's truth that may be quite different from reality
Aesthetics · Art · Beauty · Biology · Prosumer · Sociology · Media Studies and Communication · Psychology · Ecology
History and Class Consciousness
News produsage in a pro-am mediasphere
I—Axel Honneth
Exploring news media representations of women’s exercise and subjectivity through critical discourse analysis
Culinary Linguistics
The Language of New Media
Commentaries
Media prosumers in political communication
Dossier Suture
| Highly cited | No |
|---|