Cinema in Democratizing Germany
Reconstructing National Identity after Hitler
Bibliographic Data
| ID | 6001970 |
|---|---|
| Authors | Thomas J Saunders (0000-0003-1780-0314), Heide Fehrenbach |
| Year | 1996 |
| Volume | 101 |
| Issue | 5 |
| Pages | 1571-1571 |
| Publication date | 1996-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The American Historical Review (JOURNAL) |
| Journal identifiers | ISSN: 0002-8762 • E-ISSN: 1937-5239 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/2170258 |
| OpenAlex | W2062912365 |
| Language | EN |
| Citations received | 32 |
I consider this book--a history of German cinema from its inception to 1962--to be a model of how history and film studies can blend together, each informing the other in unexpected ways.In this impressive work, Fehrenbach shows how German cinema, from its beginnings, has been embedded in the politics of culture and identity.Prior to World War II, the author shows how various social and political groups viewed film from two contrasting perspectives.On the one hand
Aesthetics · Art · Art history · Democracy · German · Identity (music · Ideology · Media studies · Movie theater · National identity · Negotiation · Nexus (standard · Political science · Politics · Representation (politics · Social science · Sociology · European history and politics · Gender Studies · German History and Society · History · Italian Fascism and Post-war Society · Law
Homecoming as a National Founding Myth
Making heritage at the Cannes Film Festival
Traveling as a Culture of Remembrance
Local Funding and Global Movement
Architecture, Politics, and Identity in Divided Berlin
Envisioning Socialism
Germans as Victims?
Walking with The Murderers Are Among Us
Quintessentially German«
Supporting art cinema at a time of commercialization
The Madonna of Stalingrad
Holy Homeland
Berlin as location and production site for transnational TV drama
Josef K von 1963
The Holocaust through the Prism of East German Television
The debate on ‘Americanization’ among economic and cultural historians
A(nother) Dark Side of the Protection Racket
German film policy’s new horizons
Cinema of ruins gender and history in the postwar “rubble film”
Nuclear Families in a Nuclear Age
Jus Sanguinis, Jus Soli
Funds associated with film festivals
Rape and War, Gender and Nation, Victims and Victimizers
Should Women Be Amazons?”
The Façade of Anstalt Deutschland
Film as an Object of Reflection in the Goebbels Diaries
What Has “Coming to Terms with the Past” Meant in Post-World War II Germany? From History to Memory to the “History of Memory”
Gender, Sexuality, and Coming to Terms with the Nazi Past
Nazi Soundscapes
The Permanent Crisis of Film Criticism. The Anxiety of Authority
La exposición Vernichtungskrieg. Verbrechen der Wehrmacht 1941 bis 1944. El debate sobre los crímenes de la Wehrmacht
Ghosts and Miracles
| Unique citing works | 32 |
|---|---|
| Citations per year | 1,07 |
| Citation span | 1996 - 2023 (28) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 30 |