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Piecing Together the Past

The Notion of Recovery in Fiction and Film from Taiwan

Bibliographic Data

ID6007945
AuthorsSteven L Riep (Brigham Young University, Provo, UT, USA, corresponding author)
Year2012
Volume38
Issue2
Pages199-232
Publication date2012-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueModern China (JOURNAL)
Journal identifiersISSN: 0097-7004 • E-ISSN: 1552-6836
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0097700411413377
OpenAlexW2123558349
LanguageEN
Citations received1
References cited18

Writers and filmmakers in Taiwan have sought to use the narrative techniques of classic detective fiction to recover events of the Nationalist government–imposed White Terror of the early 1950s to bring the once-concealed past to light. Fiction writer Chen Yingzhen (Ch’en Ying-chen) pioneered this technique in short fiction written in 1983 to bring before the public the events of the White Terror and to consider how guilt for the atrocities should be affixed. Wan Jen’s (Wan Ren) 1995 feature film Super Citizen Ko explores possibilities for memorialization and the notion of victimhood in its recovery of the Nationalist repression of progressive political movements and its impact on a former political prisoner and his family. Finally, Tseng Wen-Chen (Zeng Wenzhen) in her documentary Spring: The Story of Xu Jinyu offers a portrait of a woman White Terror survivor turned political activist living in an era when the White Terror has been commemorated but remains poorly understood by the younger generation

Art · Art history · Literature · Media studies · Memorialization · Narrative · Nationalism · Political science · Political violence · Politics · Portrait · Sociology · White (mutation · Chinese history and philosophy · History · Hong Kong and Taiwan Politics · Law · Philippine History and Culture

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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