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Going Beyond the Western Pass

Chinese Folk Models of Danger and Abandonment in Songs of Separation

Bibliographic Data

ID6007997
AuthorsLevi S Gibbs (Dartmouth College, Hanover, NH, USA, corresponding author)
Year2021
Volume47
Issue2
Pages178-207
Publication date2021-03-01
Open AccessYes
TypeARTICLE
VenueModern China (JOURNAL)
Journal identifiersISSN: 0097-7004 • E-ISSN: 1552-6836
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0097700419860417
OpenAlexW4242202271, W2972468445
LanguageEN
Citations received3
References cited33

From the early Qing dynasty (1644–1911) to the beginning of the People’s Republic, men in northern China from drought-prone regions of northwestern Shanxi province and northeastern Shaanxi province would travel beyond the Great Wall to find work in western Inner Mongolia, in a migration known as “going beyond the Western Pass” 走西口. This article analyzes anthologized song lyrics and ethnographic interviews about this migration to explore how songs of separation performed at temple fairs approached danger and abandonment using traditional metaphors and “folk models” similar to those of parents protecting children from life’s hazards and widows and widowers lamenting the loss of loved ones. I argue that these duets between singers embodying the roles of migrant laborers and the women they left behind provided a public language for audiences to reflect upon and contextualize private emotions in a broader social context, offering rhetorical resolutions to ambivalent anxieties

Abandonment (legal · Ambivalence · Archaeology · Art · China · Context (archaeology · Ethnography · Ethnology · Literature · Lyrics · Political science · Rhetorical question · Seclusion · Sociology · Asian Studies and History · Chinese history and philosophy · Gender Studies · History · Language, Metaphor, and Cognition · Law · Philippine History and Culture · Psychology · Social Psychology

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Citations per year1
Citation span2023 - 2025 (3)
Highly citedNo

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