Cartoons and Collaboration in Wartime China
The Mobilization of Chinese Cartoonists under Japanese Occupation
Bibliographic Data
| ID | 6008173 |
|---|---|
| Authors | Jeremy Taylor (0000-0002-0448-0254, University of Nottingham, Nottingham, UK, corresponding author), Jeremy E Taylor |
| Year | 2015 |
| Volume | 41 |
| Issue | 4 |
| Pages | 406-435 |
| Publication date | 2015-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Modern China (JOURNAL) |
| Journal identifiers | ISSN: 0097-7004 • E-ISSN: 1552-6836 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0097700414538386 |
| OpenAlex | W2170956280 |
| Language | EN |
| Citations received | 8 |
| References cited | 15 |
The work of Chinese cartoonists who published their illustrations in the popular press in occupied China from 1937 to 1945 has largely escaped the attention of scholars of both the occupation itself and the broader field of cartoon history. This article seeks to fill this gap in the literature by analyzing how the very nature of the occupation, together with efforts undertaken by collaborationist governments such as that of Wang Jingwei, created a context in which a particular body of artists could continue to draw. In so doing, the article raises questions about the place of “collaborationist” cartoonists in the broader development of art and propaganda in China and about the very nature of collaboration in the Chinese context
Archaeology · China · Context (archaeology · Field (mathematics · Media studies · Political science · Sociology · Work (physics · Chinese history and philosophy · Communism, Protests, Social Movements · Engineering · History · Law · Vietnamese History and Culture Studies
Modernizing propaganda in Republican China under a foreign gaze
The Sensual Surplus of History
Towards a New History of Elite Cultural Expression in Japanese-Occupied China
The Discourse of Guohua in Wartime Shanghai
Cartooning Collaboration
Chinese animation and its evolution and cultural background
Introduction to the Forum
Cosmopolitan collaboration and wartime collaborationism
Women, War, Domesticity
Peasant Nationalism and Communist Power
War and Popular Culture
Wuhan, 1938
The Thought War
The Stories They Tell
Theorizing Manga
"Fuku-chan" Goes to Java
China and Japan at War 1937-1945
The Ambiguity of Entertainment
Japanese Propaganda in North China, 1937-1938
Cinema and Urban Culture in Shanghai, 1922-1943
| Unique citing works | 8 |
|---|---|
| Citations per year | 1.33 |
| Citation span | 2020 - 2024 (5) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 8 |